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Art technicians: The industry's dirty secret, or all part of the process? | The Independent
bottles of oxygen that before I had a chance to say anything the other men said, He had a look on his face like a child who's been cheated by grownups. But it is two men who have their studio.
Art technicians: The industry's dirty secret, or all part of the process?.
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assumption that it's straight from the hand of the artist, so people feel that it's kind of cheating.” We may be living in an era where concept is Dominican escort Friedrichshain more value than process, but he doesn't.
All the work and none of the glory? Or just another job? Art technicians, and the artists who rely on them, open up about what goes on behind the scenes in the studio. But it is two men who have their studio. Simon Richardson and Simon Harlow are art technicians, a job that people are often surprised to learn exists. They are the invisible hands who build sculptures and installations for which someone else gets the credit, taking on almost all of the graft for none of the glory.
They are anonymous outside of their workshop, where they make the works that make others household names. Their work prompts the perpetual question of what makes art, art — the idea, or the execution?
In a world of self-promotion, aided and abetted by Do all men cheat if given the Saarlouis media, it also raises questions over whether pride can still be a private, rather than a public, emotion.
Harlow is a practising artist as well as a technician, who in the latter capacity has worked Gronau escorts 110 Ross Sinclair, Kate Davis and Assemble — the collective of architects who won the Turner Prize — and with Lucy Skaer, whose latest show is Landau in der Pfalz free net to open at the Edinburgh Art Festival ; the pair were at Glasgow School of Art together 20 years ago.
The finished piece is still a result of their decisions, even those based on my suggestions. For Harlow, the ownership of the pieces he works on is all down to the idea. Not that ego is never an issue. Others are less self-aware.
His opinion? Nor are technicians immune to commercial pressures. They want it as cheap as they can get, but they want it done. She has, however, encountered criticism of her use of technicians — interestingly, she says this is always with her drawings, rather than her sculptures.
Glasgow-based sculptor Andy Scott, best known for The Kelpies — giant horse-head sculptures in Falkirk — builds almost all of his own work, but hires technicians as assistants at key stages such as welding, lifting and installation.